Top 10 Oscar-Winning Hollywood movies

by Yesmovies ~ Oct 20, 2021

Some Hollywood movies got a huge success that they now become oscar-winning movies. In this blog, we've rounded up the top 10 Oscar-Winning Hollywood movies of all time.

Top 10 Oscar-Winning Hollywood movies


The Godfather: Part II (1974)

Subjects of faithfulness, family, and penance commute home Francis Ford Coppola's second part in the Corleone faction's story. One of the very first spin-offs of outshining its archetype, the film floods with certainty. Coppola takes all that made the principal film shock moviegoers out of their seats and ups the stakes. This movie is one of the Top 10 Oscar-Winning Hollywood movies

Part II investigates the early long stretches of Vito Corleone in Sicily, outlining his achievements before he turned into the New York City mafioso. Robert De Niro joins the cast as the youthful Don, close by Al Pacino in the best hoodlum film at any point made.


Casablanca (1943)

Casablanca's the incomparable American film. A splendid mix of sentiment, spine chiller, and war-torn actioner that has two top-of-their-game entertainers in driving jobs. Anything you desire to call it, you can't prevent the watch ability from getting Michael Curtiz's World War Two experience, which considers Humphrey To be and Ingrid Bergman as two darlings who can't be together. It is one of the Top 10 Oscar Winning Hollywood movies

Science like theirs is once in a while seen onscreen these days, a consequence of their off-set kinship which additionally gave the film its most essential joke. In the middle of takes, Bogart would show his co-star poker, regularly rehashing the expression, "Heres seeing you, kid" to Bergman out of certified fondness.


Lawrence of Arabia (1962)

There are not many motion pictures that characterize scene film like David Lean's rambling Lawrence of Arabia, which proceeded to motivate an age of producers – strikingly both Spielberg and George Lucas hold the film as one of their top choices.

Lawrence of Arabia's cinematography is exquisite, and Peter O'Toole plays World War One official T.E. Laurence impeccably, figuring out how to adjust both egotism and ardent compassion toward individuals the British are attacking. More great than its huge number of additional items is the film's length; at 227 minutes, it stays the longest film to at any point bring home the Best Picture prize. A genuine epic.


All About Eve (1952)

The one-two punch of Bette Davis as veteran entertainer Margo Channing and Anne Baxter as her scheming ingenue Eve Harrington is the thing that makes All About Eve still so watchable. The pair are flung together in this immortal anecdote about our protection from developing old, with Davis' searing conveyance of Joseph L. Mankiewicz's dangerously sharp exchange making this her best presentation.

"Attach your safety belts, it will be a rough evening", says Channing, ignorant that the dangers of aspiration without fairness may require somewhat more Dutch mental fortitude.


Silence of the Lambs (1990)

Since when did chronic executioner motion pictures that incorporate wonderful man-eaters and skin-wearing mental cases win Oscars? That is the thing that's so amazing with regards to Jonathan Demme's film. It's uncommon for a kind film to win anything, quit worrying about the Best Picture, yet Silence of the Lambs beat its rivals in each and every selected classification.

What secured it? The explosive content, absolutely tormenting score, and entrancing abandons Jodie Foster and Anthony Hopkins? Everything's of those things, and that firmly altered last grouping, which stays similarly as chilling as the stuff you'll find in any blood and gore film deserving at least some respect.


The Godfather (1972)

In light of Mario Puzo's novel, The Godfather brought forth the advanced mobster film. Its impact over the whole criminal classification poured out into reality, with New York City's wrongdoing masters following the Corleone family.

So much from the film has been lifted into mainstream society through farces and satires: the pony head in the bed, the mutterings of Marlon Brando's wiseguy, and that sweet piece of ad-libbed exchange, "Leave the weapon. Take the cannoli." It's maybe no big surprise that many individuals see the film as maybe the best film ever.


Annie Hall (1977)

One of Woody Allen's best-lighthearted comedies saw the chief get some distance from the odd, weirdo pictures he was making and jump into something more standard. Lighthearted and cool, and with pattern-setting style sense, she's the ideal counteractant to Allen's psychotic Alvy Singer.

Their most amusing second occurs while they examine their next date, as a progression of subtitles seem to represent the contrasts between what we say and what we mean. While he wasn't the primary chief to break the fourth divider, he's the person who wrung the most snickers from its prospects.


The French Connection (1971)

Dom Toretto's team has nothing on the petrolhead ability of Gene Hackman in The French Connection. As Detective Jimmy Doyle he would seek after equity behind the wellbeing of identification, yet there's nothing distantly by-the-book about his strutting assurance.

Entrusted with cutting down a ring of heroin dealers in New York City, he sets out on one of the most incredible vehicles pursues at any point recorded. The unwavering requests of chief William Friedkin saw an enormous part of the city's metro shut down for the scene, where Hackman's cop tears around the roads in his Pontiac to seek after his train-bound objective.


The Apartment (1960)

Notable at the ideal opportunity for screwball comedies, Billy Wilder took a stab at a genuinely new thing with The Apartment. It turned into a moment distinct advantage – a spearheading illustration of what Hollywood could pull off.

Jack Lemmon stars as Baxter, a protection specialist who lets his office buddies utilize his condo to engage their escorts, meanwhile battling to discover love himself. that is, obviously, until he meets Shirley Maclaine's whip-savvy lift administrator, Fran. It's her exhibition that is the genuine defining moment. She's brimming with gnawing mind and self-deploring jokes, yet still carries an edge of haziness to Baxter's modest life.


Schindler's List (1993)

Steven Spielberg's has made many tasteful blockbusters out of many crisscrossed themes. Outsiders, spies, and robots – and so on, Spielberg's most likely made a film about it. For Schindler's List, the producer handles a more genuine subject than typical, creating a reminiscent, amazing film dependent on a recorded occasion that saw 6 million Jews illogically killed.

Notwithstanding earning antagonistic consideration while making the film, Spielberg by and by decided to zero in his film on the 600 individuals who endure the Holocaust on account of Oskar Schindler (Liam Neeson). It's unashamedly a Spielbergian take on things, putting the focus on the goodness of man even in our haziest hours.